Value And To Learn Traditional Embroidery -Myassignmenthelp.Com

Question: Discuss About The Value And To Learn Traditional Embroidery? Answer: Introduction The item selected for the present report is a ball gown that is a commercial copy of Venus by Dior and was sold by Levys . Debutante Marvis Powell in her Debutante ball wore this gown in 1949 after being gifted with the same by her parents. Ball dresses are ones designed to be worn in a formal dance and are the most extravagant gowns falling under the evening dress category. Discussion The primary reason of wearing a ball gown was to augment the femininity of the women and thereby dazzle the viewers. Ball gowns can be easily distinguished from other dresses because their flamboyant visuals with designed layers, sequins, puffs, swags, artificial flowers, rosettes ribbon etc. These dresses have existed since the middle ages among the elite and royal class of people. However, in the 1800s the royal balls re-emerged and the concept of debutante balls became standard, in order to introduce young people of marriageable age to each other. Increase in popularity of these gowns increased along with that of royal balls[1]. The gown of concern in the present essay dates back to 1949 and was worn by Miss Marvis Powell in her debutante ball. The mentioned gown is kept on display in the Metropolitan Museum of Art mentioning its date. This particular item was an authorized commercial copy of Venus designed by Dior by a high-end American company named Nanty, who manufactured copies of London and Paris couture and sold by Levys. Charles Rendigs purchased the design and in the fall of 1949, the designer of the company was Charles James. The garment is made of Silk tulle, sequins and palliates embroidery. These sequins are the famous iridescent feather sequins that were manufactured by Lecoq et Riou, the mould of which are lost now. The embroidery has ten different sequins and beads, which include the feather rhinestone sequins in variety of setting of eight different varieties. Maison Rebe designed the embroidery. These designs were usually made for women belonging to the royal families since the 1800, later on around mid 1900s, these were designed in London and Paris and other high end companies made commercially authorized copies. Women of rich families usually wore this kind of clothing to formal balls. There was no age bar for wearing ball gowns and these clothing exhibited the status of the women wearing it[2]. The basic definition of a ball gown is that these are extravagant gowns that were worn for formal dance events. However, there were numerous and intricate conventions relating to the appropriateness of wearing ball gowns. These clothing items are very extravagant and distinctly stand out from the category of evening dresses. These gowns usually had bared arms, a bodice that was fairly constricted, low dcolletage and long and puffy skirts with lots of layers. Ball gowns permitted women to take up more space, as the expansive and billowing skirt acted as extensions to the original dimensions of the womens bodies. Undergarments have played a major role in reshaping body structures into the required silhouettes for extravagant clothing such as these. Corsets and petticoats from the 19th century were common under garments worn under such gowns. There have been balls for numerous centuries among the royal and socially elite families right from the middle ages; people with similar elite backgrounds were brought together through the help of these balls. Ball-gowns were especially designed for such formal events. Extravagance of the clothing exhibited higher social positions. The item selected for the present essay is the Venus ball gown designed by Venus and the fact that, this dress was gifted to Marvis Powel as a coming out gift from her parents for her Debutante ball, suggests that they belonged to the higher strata of the society and were fairly influential. People buying such an item in the present day would suggest that they are fond of Diors work from the50s and that they are influential as well because these are antique piece of clothing and would be of a high price range. Conclusion I personally like this outfit because of the sequins and the embroidery; they are beautiful and are a rare work of art. I would love to be able to recreate such a look in order to bring back the essence of the elite class of the late 1940s. I would love to own such a piece because of its antique value and to learn about the traditional embroidery patterns for extravagant eveningwear to be able to revolutionize the present day designs. Reference Authors: Beth Duncuff Charleston H, 'Christian Dior (19051957) | Essay | Heilbrunn Timeline Of Art History | The Metropolitan Museum Of Art' (The Mets Heilbrunn Timeline of Art History, 2018) https://www.metmuseum.org/toah/hd/dior/hd_dior.htm accessed 22 February 2018 'Dior' (Dior.com, 2018) https://www.dior.com/couture/en_us/the-house-of-dior accessed 22 February 2018 [1] 'Dior' (Dior.com, 2018) https://www.dior.com/couture/en_us/the-house-of-dior accessed 22 February 2018 [2] Authors: Beth Duncuff Charleston H, 'Christian Dior (19051957) | Essay | Heilbrunn Timeline Of Art History | The Metropolitan Museum Of Art' (The Mets Heilbrunn Timeline of Art History, 2018) https://www.metmuseum.org/toah/hd/dior/hd_dior.htm accessed 22 February 2018